Buy and Sell Art: April 2008

Who's More Expensive?

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Q: I collect furniture from the 1940's and 50's. I do a pretty fair amount of buying at collectibles shows and from stores that specialize in this time period. I've held off on the art so far, but many of the dealers have paintings and sculptures that also date from the period. What sort of questions do I need to ask before buying this art? What's the difference between what they have and what galleries have? Who's more expensive?

A: Learning about art is similar to learning about furniture. With furniture, you begin by finding out who made it and how old it is. With art, you find out who the artists are and when the art dates from. The next level of questioning parallels learning the histories of furniture designers and manufacturers. You want to know when and where the artists lived, worked, exhibited, how significant they were, what they accomplished, and how much their art currently sells for. In other words, how good is it and do the artists have collectible track records?

Regarding where to shop for art, keep in mind that furniture dealers tend to know more about furniture than they do about art. If you're a serious Herman Miller collector, for example, you want to buy from a furniture dealer who specializes in that company rather than from an art dealer who may get a piece or two of Herman Miller furniture from time to time. Likewise, experienced art collectors patronize art galleries rather than furniture dealers.

Since you're getting serious about art and you don't know that much about it, you should probably begin by shopping at art galleries that specialize in art from your favorite time periods. Be prepared to pay more, though, because they tend to deal in higher quality art and artists than what you see for sale at furniture dealers. The plus side is that art dealers are better informed, have better selections, more accurate pricing, and better overall perspectives on the fine art marketplace.

If, on the other hand, you're more interested in the look and are not all that concerned about how famous the artists are, buying at shows and shops as opposed to galleries is fine. You can still find reasonably good quality works of art at moderate prices. The artists may not be that well known, but shops still consider their accomplishments and sell pieces that illustrate the dominant themes and subject matters of the time period. This is not to say that you can't find occasional pieces of top quality art at collectibles shops and shows, but it's not likely and you really have to know what you're doing in order to make great buys. Buy art supplies, buy arts, buy clip art, buy fine art, buy modern art, buy original art, buy student art, canvas art for sale, clip art for sale, comic art for sale, contemporary art for sale, fine art for sale, fine art sale, fine art sales, folk art for sale, framed art for sale, framed art sale, garage sale clip art, graffiti art for sale, how to buy art, how to master the art of selling, how to sell art

Young Artist

Q: I've seen several news stories about a young artist in her early teens who's being hailed as a child prodigy. Some famous people apparently own her work. I like it myself, have inquired about prices, and am told that original paintings are very expensive. Do you think her art is a good investment? Do you think she'll become really famous?

A: You say you like the art, but at the same time, you sound more interested in buying a commodity than a painting. You also seem to be more taken with the publicity and glamour surrounding the artist than you are with the art. Step back for a moment before doing any buying and ask yourself the following questions:

Would you consider buying a piece of art that looks exactly the same if it was by a competent artist who receives little or no publicity? If you hesitate or answer no, you might be guilty of buying by name and reputation and saving what you think about the art for last. The most satisfied collectors love their art no matter who it's by, who collects it, or how famous the artists are.

Are you buying something to hang on your wall and admire or something that you hope will increase in value? If you answer the latter, you should probably place your money elsewhere. People confuse art with stocks, bonds and other investments when, in fact, it's totally different. With securities, you pay an average commission of a percentage point or two to make a transaction. With art, as much as 70 to 80 percent of the selling price can go towards commissions and overhead. For example, if you pay $10,000 for a painting and only $2,000 goes to the artist, that $2,000 would be its approximate resale value on the open market. Purchased as an investment, you'd have to wait years just to break even.

Where is the publicity about this girl's art coming from? She may be garnering a lot of attention, but you have to determine whether that attention is scholarly art world attention or popular media attention. If the stories you see are on the 6 O'clock News or in mass market magazines like "People" and the famous people who own her art are known for accomplishments that do not include art collecting, this might be more a case of media hype than a serious art world phenomenon.

Find out whether curators are familiar with her work, whether she's been reviewed in major art magazines, had museum shows, and is in significant art collections. If the art world is as excited as the reporters on the 6 O'clock News are, something significant may be happening. If not, this whole hub-bub could be little more than a flash in the public relations pan.

And then there's the issue of age. It is extremely rare for an artist to be hailed or collected as a child prodigy, to sell early on at prices equivalent to those of famous artists at the peaks of their careers, to continue selling at those levels, and to go down in history as an important artist. This girl is very talented and she does beautiful work, but whether her current price structure is justified, whether she has a lock on future fame and fortune, and whether she'll even be interested in continuing as an artist after she graduates from college are huge unanswered questions.

Quite a number of young people show serious artistic talent from early on. Their best art can be as beautiful and engaging as that of many adult artists. If you like art by young talented artists, visit art schools, talk to art teachers, find out who the best artists are, go to their art exhibits. Once you get a feel for what you're doing, you'll be able to buy based more on what you love than on how much publicity the artists get or who owns their work. You'll also quickly discover that you don't have to spend anywhere near thousands of dollars in order to get something meaningful and satisfying.

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Make Your Art Attractive to Collectors

eBay Selling Business

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Are you envious of those who manage to reap a reasonable amount of return from their eBay selling business? Wait no more; you can experience that same ecstasy feeling if you would only start your own eBay selling business. The next question would then be, how do I start selling stuff on eBay? The fact of the matter is that it may seem intimidating for people who just started to learn the trade, but here are some simple 5 steps for you to follow to starting your online eBay business.

1. Take plenty of photos of your item. Do not take it in such away that you are trying to mask some parts that are damaged. The status of your product should be easily be perceived from your photo and what your buyer sees is what he gets. This way, your potential buyer would then be able to access for himself the potential quality and state of your product.

2. Open your first ever eBay store! An eBay store is a great method to sell your stuff online also it saves you on the eBay frees. Furthermore, eBay stores appear on the search results in eBay as such you will have more visible listings and you can make more money on your item as it would potentially receive more traffic. Your very own eBay store also has the benefits of you creating a specific design for it. You do not have to make it wonderfully fanciful, but a decent and professional design fitted with a good description of your product, you will then be able to attract more people to your store and increase revenue if they purchase your product.

3. You have to create your own listing for your item. One of the ways you can do this is through free websites that eBay provides. However, this is only for people who just started out in this business. If you are familiar with all these procedures, you can find your own listing sites and improve on your eBay store. One such site is auctiva, where it provides you with a free template, image hosting, online scheduling, and many more features that will enable you to make an enticing listing.

4. Find your product, research for it and find the best possible item that can help you earn your big bucks. There are functions in eBay to help you search for the hottest deals in eBay currently and that would certainly give you a head start in what you want to sell. Other than just providing the good, it would be great if you can further personalize your service and make it a unique product that only you have. Catering to the needs of customers may seem troublesome, but it is essential if you want to forge loyal customers that keep coming back for more.

Starting your very own eBay business is not hard if you put your heart and soul into it. Do not stop even when you face troubles and problems, every business has its ups and downs, but the important thing is to persevere on and find the solutions to these problems.

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Michael Bay is an eBay expert providing valuable auction selling advice at www.AuctionMasteryCourse.com . He has been teaching thousands how to sell stuff on ebay to earn a good income. Click Here to get your FREE report on the "Four EZ Ways To Make Money On eBay".

How Dealers Price Art on The Internet

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It happens at art galleries, antique shops, shows, collectives, flea markets, estate sales, and in private transactions. It happens with price guides, auction records, appraisals, expert advice, casual chit-chat, and hearsay. And now it's happing with the internet. People who own art that they're interested in selling are now using the internet to figure out how much it's worth and how much they sell it for. They know that the more information they have access to, the more accurately they can set their prices. But first, a little history.....

Way way back in the old days (like the 1960's) sellers figured out asking prices mainly by going from gallery to gallery, antique to antique, expert to expert, dealer to dealer, and auction to auction. Because of the limited access to printed information, those who lived and worked in the world's major art centers or who travelled the most and knew the most people were the most qualified to accurately price art.

Then came price guides and auction records. Locating price information became easier (for those who knew these references existed and who could afford them), but at the same time, pricing art for sale became more of an abstract process. Since using books of art prices was nothing like speaking to living breathing knowledgeable human beings and getting price information firsthand, sellers tended to take the highest prices they could find and tack them onto their art. That's the down side to price reference research. The upside is that while people can pass on wrong art price information and/or innacurately interpret that information, art price guides and auction records deal only in facts and are almost always accurate. The overall effect, then, was far to the up side in that more people than ever before could now price their art more accurately.

Now we have the internet. The advent of online pricing has distanced the process even further from the realities of the marketplace. In many cases, people researching values have no idea who posts what price information, what those posters' qualifications are, how those prices are arrived at, or under what circumstances the art is for sale or has sold. Computer searches make price misreads increasingly likely because they're arrived at without the aid of traditional research techniques. At least with price guides and auction records, you can read about the authors and understand why they're qualified to publish the price information that they have. In many cases, internet information is so difficult to qualify and the sources so untraceable and vague that the chances for innacurate pricing are greater than ever.

The upshot of all this is that if you think you've priced your art right from online data searches, you can still be wrong. This may sound like double-talk, but here's an example. Suppose you live in rural Kentucky, sell antiques out of a booth in a small collective, and are trying to price an etching by a regional Texas artist. You locate the website of a Dallas gallery, find similar etchings priced and for sale, and put a comparable but slightly lower price on yours. To assume that the gallery's prices are good anywhere and at any time can be a big mistake.

For all you know, this gallery may exclusively handle the artist's estate, be attempting to create a market for the work by asking record high selling prices, and have a $40,000 a month overhead in the best gallery district in town. The owner may be one of the most important experts and respected dealers of Texas art and artists in the country and have access to all the wealthiest collectors. Outside of that gallery, the etchings may be worth nowehere near that much.

These days, I can be visiting a shop at a cross-roads in the middle of nowhere and find prices equivalent to what one might expect from a gallery on 57thStreet in New York City or on Rodeo Drive in Beverly Hills. This happens because a top retail price gets posted on the internet, someone copies it without understanding it, someone else copies the copy, and so on until equally ridiculous prices can be found all over the country.

Finding an art price on a computer screen does not begin to equate with in-depth market research. You also need to understand why and under what conditions it is what it is. Hopefully the next stage in the internet art pricing evolution will be the proliferation of more sophisticated and competent research techniques and a deeper understanding of pricing guidelines. Remember this-- on your way to finding out "how much" don't forget to also find out "why," "where," and "under what circumstances."

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Try to Sell Art Over The Internet

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Q: Should I try to sell art over the internet? I've seen several advertisements for sites that specialize in selling antiques, collectibles and art. They put "for sale" pictures up along with contact information for very reasonable commissions. I've also visited gallery sites on the Worldwide Web that say they buy art. I can even advertise my art for free in art, antiques, and collecting newsgroups.

A: The internet is a pretty wild and untamed arena as far as selling art goes and unless you're anything less than fully on top of the market, think twice. In addition to knowing what your art is worth and how much you want to sell it for, you also must be able to show it to interested parties, mail it out on approval if necessary, and get paid in full if you sell it. This can be difficult when dealing with people who you've never met and who may live hundreds or even thousands of miles away.

Unless you know who you're dealing with, the anonymous nature of internet presents problems particularly in the areas of buying and selling art. For example, a small percentage of dealers and collectors spend their time searching the internet for unsuspecting sellers who underprice their art. Some may also request detailed information about your art seemingly to help them decide whether or not to buy when in actuality, they offer it for sale elsewhere. Some don't even ask for details-- they take what they need from your posting and offer it for sale like it was their own. You never know the difference. Consequently, art can get pretty badly shopped around in cyberspace.

As for gallery websites that advertise as art buyers and sellers, some of the finest dealers in the world are online. Unfortunately, some of the not-so-finest are also in full operation. The nature of the internet is such that a lavish website may be that of a four story Manhattan gallery and it may also be a telephone sitting on a coffee table in someone's den. Telling the difference can be pretty difficult unless you know the art business and are familiar with the players.

At this time, the safest internet routes for buying and selling art are dealing with galleries at established sites like www.artnet.com and www.fada.com. Even here, though, you have to be careful, request references, and preferably make personal contact before proceeding with any sales arrangement. If you decide to place your art up for sale independently, pick a site that only takes a commission if the art sells and has a secure transaction system. They should be responsible for collecting the money and paying you rather than you having to do it yourself.

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Charity Auction Art

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Q: I've bought several pieces of art at charity auctions and am thinking about buying more. Selling prices are usually less than at regular auctions and substantially less than at galleries. Do you have any tips or strategies for buying art in this manner?

A: Don't get too excited about these bargains you think you're getting. Charity auction art can be uneven in quality and sometimes just plain inferior. Dealers, artists, and collectors who donate to these sales frequently do so for tax or social reasons and tend to consign art that they're tired of looking at, have had trouble selling, is minor or unimportant, is not in perfect condition, or has been lying around for years because it's not what collectors want. Think about it-- would you be more inclined to donate an item that's readily salable for a good cash price or one that few people want and no one will pay a decent price for?

If you're bidding on art that's problematic or undesirable in some way, it's naturally going to sell for less and may not be a bargain at all. Given this scenario, getting a "bargain" should be less of a concern than figuring out whether the art is worth owning in the first place. If you pay a low price for something few people want, do you call that a good buy? Probably not.

Not all charity auction art is inferior, however. Marvelous pieces often get donated and these are the ones you should keep your eye out for. One notable exception to the inferiority rule is when museums or other institutions that own large amounts of art deaccess from their collections in order to raise money. They sometimes donate great art simply because it does not fit their collecting interests or long term goals. What's minor or irrelevant to them may be highly desirable to collectors. The tendency is for institutional deaccessions to be better bidding risks than art that comes from private donations or for-profit galleries.

In order to maximize your effectiveness at charity art auctions, always do your research ahead of time. Never assume that a work of art is automatically worth owning. Find out where everything comes from--most auctions publicize donors' names in exchange for their donations. Pay particular attention to pieces that come from respected galleries, collectible artists, institutions, museums, and major collectors. These are often the most worthwhile items to chase after. Inspect all items carefully before the auctions, and confine your bidding to quality, collectible examples. Staying sober is also a good idea-- many charity auctions serve copious amounts of food and drink immediately before bidding begins in order to loosen people up who may otherwise be judicious in their spending. Airline miles sell, art purchases, art sells, arts sale, buy car, buy cars, buy cars for sale, buy classifieds, buy for sale, buy used car, buy used cars, classifieds sell, purchase arts, resell art, sale sell, sell auction, sell books, sell car, sell cars, sell classified ads, sell equipment, sell for cash, sell for sale, sell side, sell swg credits, sell textbooks, sell ticket, sell tickets, sell used books, sell used car, sell used cars, sell used cds, selling arts, trade sell

I Own a Painting That My Children Don't Want

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Q: I own a painting that my children don't want, so I've decided to sell it. I bought it about 20 years ago. I wrote to the gallery that exclusively represents the artist and had them appraise it. According to them, it's worth quite a bit now. I know I can't sell it for that much, but can you tell me how and where I can get a good price? The gallery says that they don't get involved with resales. I've enclosed a copy of their appraisal.

A: Don't expect to get anywhere near the appraised value for your art. First of all, the appraisal is from the gallery that represents the artist, not an independent appraiser. Their best interest is to appraise as high as possible because big numbers make them look good. While these numbers work for them, they don't for you. That gallery is the only place where the artist's work can sell for that much.

As with any monopoly, they exclusively represent the artist and they control the prices. They decide what the art sells for and appraise it at whatever those current retail prices happen to be. The artist's market is created and manipulated entirely in-house. As long as they're in control, they don't concern themselves with resales like yours that take place on the outside.

This dovetails directly into your next problem. The gallery does not handle resales. They apparently have all the art they need which means that the market for the artist is not strong enough to warrant their making outright buys or seeking consignments from the outside. In other words, you're in trouble.

The little bit of good news is that outside resales do take place, but at prices far less than what the gallery retails the art for. A neutral outside appraiser would have advised you of this. Expect to sell your art for only about 20% of the value that the gallery gave you.

Point of information: When considering any art purchase, assuming you're concerned about spending your money wisely, find out about resale procedures. Does a secondary market exist for the artist and, if so, where is it and how much does the art resell for? Determine whether the gallery gets all their art directly from the artist, from people controlling the artist's estate, or from private parties as well. Be aware that some galleries dance around on this issue and say whatever is necessary in order to sell you art.

If you're at all unsure of the answers to these questions, check to see how other galleries perceive the artist's market and consult an independent appraiser or two. You might even go home, call the gallery in question, tell them you have a piece of the artist's art that you'd like to resell, and ask what you should do and whether they'll handle it for you. A sad fact of the art business is that sometimes (not often) this tact is necessary in order to get the truth.

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Separating Bound Prints

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Q: I bought a book of original etchings, most of which are by 19th century European artists. I showed the book to an antiquarian bookseller and he told me that one person probably collected the etchings from various publications and had them bound himself. This makes my book a unique piece, but then again, I've been thinking about having it disbound, keeping and framing my favorite images, and selling the rest. Is this a good idea or does it destroy the value of the book as a whole?

A: Opinions generally diverge as to the acceptability of removing prints from books. Booksellers frown on the practice and value books as collectibles in and of themselves. Print dealers often see nothing wrong with "breaking" books and valuing them according to the values of the individual prints. Your situation is somewhat unusual, however, in that you don't really own a book, but rather an album of individual prints put together by one person. In other words, booksellers may not be quite as militant about keeping this piece together as they would if it had been a formally pubished book.

Whether or not your book should stay together depends on several factors. It's better kept together, for example, if it is an outstanding or scholarly assemblage of prints or a beautiful work of art. If the binding is unique, special, full leather, exquisitely hand tooled, or by a famous binder, the piece in its entirety probably has a substantial value-- value which would be lost if it were taken apart. Likewise, consider not breaking it if the prints form an extensive collection of one particular era, school, subject matter, region, medium, or artist. Keeping it whole is also be a good idea if it contains insightful text that cannot be found in other books. A less common reason for preserving unique books in their entirety is if they were either compiled or owned by famous collectors.

Taking the book apart is acceptable if the prints are unrelated to eachother, the binding is ordinary or in poor condition, there is no significant accompanying text, and nothing else is unique or unusual about the piece when considered as a whole. Speaking strictly from a marketing standpoint, unless the album is extremely unique or special it probably has more value disbound than it does as a whole. The etchings can be sold separately for more money than they can as a lot. If you choose this option, you may well be able to pay for the entire purchase by selling off the prints you don't want.

Fine Art Auction - Northern American Style

Writer John Rushkin once said, "Fine art is that in which the hand, the head, and the heart of man go together." There are few things more breathtaking than a well-composed painting - one where all the right colors, brush strokes and open space just dazzle the eyes and capture the imagination. A fine art auction is a great way to buy and sell fine art.

Despite the credit crisis, most purchasers who attend a fine art auction, aren't affected by the middle class squeeze or imploding housing market, as 6,000 to 7,000 eager bidders appeared at many of the fine art auctions this year. British abstractionist John Cecil Stephenson and American graffiti artist Shepard Fairey are expected to sell very well at prices from 7,500 British pounds to 150,000 pounds.

A recent Christie's art auction in New York City reeled in close to $395 million in net gains, despite having not sold a few of the reserves. Big sellers included Matisse's "L'Odalisque, harmonie bleu" (1937) which went for a record $33.6 million dollars, following a bidding war. Also, Pablo Picasso's "Femme accroupie au costume turc (Jacqueline)," painted in 1955, sold for $30.8 million dollars and his "Homme a la pipe" reached $16.8 million.

"The enduring importance of works of art as a stable and consistent store of cultural and economic values was demonstrated in tonight's dazzling sale," said Marc Porter, the head of Christie's America. Hence proving that to buy original art, as an investment, is alive and well.

Similarly, the Canadian art auction set for November 23, 2007 is expected to draw a large crowd and record breaking sales. There were encouraging signs at Heffel's fine art auction last May: a Lawren Harris painting ("Pine Tree and Red House") sold for $2.85 million, an Emily Carr fetched for $1 million, and the total sales reached $22.8 Million, which nearly doubled the previous Canadian record!

At the next auction, Heffel will be selling 19 other works by Lawren Harris and 8 rare pieces done in 1912 by Emily Carr, in addition to seven Tom Thomsons, three E.J. Hugheses, five Maurice Cullens, four Jean-Paul Riopelles, seven Frederick Varleys and eight A.J. Cassons.

Just this November, a woman discovered that a painting she had salvaged from her grandmother's estate sale decades earlier, was actually a rare Tom Thomson estimated at $250,000 to $350,000! This artwork will also be featured at the auction. The Heffel auction hopes to fetch $13 million to $18 million for its 236 lots.

Although 2007 hasn't been a particularly wonderful year for real estate or the economy, many lovers still find ways of financing their art collecting hobby. This is great news for auction houses and artists alike! That perfect piece may be waiting at a fine art auction, whether it be a portrait of Native Americans by Emily Carr or a Matisse abstract.

Author Resource:-> Enrich your knowledge further about fine art auction from Mike Selvon portal. We appreciate your feedback at our fine art auctions blog where a free gift awaits you.

Article From Niche Article Directory

What Is Contemporary Art Auction?

By: MIKE SELVON
The world of modern art is changing. Just visit a contemporary art auction for a clue. Unknown artists find the value of their works quadrupling within years. Chinese and Indian artists are finding greater audiences, and wealthy patrons of the arts aren't just paying thousands - they're paying millions.

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Traditionally, an artist's older works garnered higher bids and more frenzied requests. However, painters like Brice Marden are changing the status quo with a whole collection of recent, sought-after work.

The top 10 contemporary artists, whose works sold for over $5 million at auction, are as follows: Lucian Freud, Jasper Johns, Jeff Koons, Brice Marden, Bruce Nauman, Robert Rauschenberg, Gerhard Richter, Richard Serra, Frank Stella, and Cy Twombly. Other artists (in the $1 - $4 million range) to look out for include: Chuck Close, David Hockney, Ellsworth Kelly, Anselm Kiefer, Claes Oldenburg, Robert Ryman, and Wayne Thiebaud.

Jasper Johns, one of the highest paid modern artists, can't seem to keep up with the demand. He paints two projects each month (which will sell for no less than $1 million), but the waiting list is still long. Entertainment giant David Geffen paid $40 million for "Gray Numbers" a few years back and New York City's Metropolitan Museum of Art allegedly paid over $20 million for "White Flag."

John's colorful paintings touch upon Americana themes -- with lots of flags, maps and targets - with subtle messages that affect every onlooker differently. If a collector is fortunate enough to find a Jasper Johns in an art auction house, then there's no telling how much it'll sell for.

One can't help but wonder about what accounts for the noticeable trend towards modern art? Most of the buyers (42%) at the Sotheby's contemporary art auction continue to be Europeans, with the US trailing at 19%, and Asia / Middle Eastern sales at 12%.

It seems that the high price of the pound is hurting many Americans more than the credit crunch, but London's weekend auctions saw many advances from interested Indian and Chinese buyers looking for a piece of cultural heritage. For instance, two bidders fought over Yue Minjun's "Execution" for six minutes, which finally sold for a record breaking $2.93 million. Likewise, one of Putu Sutawijaya's paintings ("Silent Road") sold for $350,000 (11 times its estimated price) at the Borobudur Auction!

The art world is changing from the traditional swanky event, complete with fine wine, cheese and fashionable attire - to one of sitting behind the computer screen, credit card in hand. While it may seem impersonal to some, it's advantageous to others, who have the ability to hop between sites, checking the fair prices for the particular work they've got their eye on. After browsing online catalogues, art lovers can get a good idea of what's available in the up-to-date marketplace, and then make the best purchase later at a contemporary art auction.

Author Resource:-> Enrich your knowledge further about contemporary art auction from Mike Selvon portal. We appreciate your feedback at our fine art auctions blog where a free gift awaits you.

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Art Presents And Folk Russian Painting in Art Store Online

By: Will Nilson
Originally Khokhloma wood tableware were produced in monasteries and for the czar court only. At that time Khokhloma tableware production was not large scale. It was because of expensive imported tin. In 1720s after the end of the North War tin flow to Russian increased. The price went down and the material came within reach of many masters. The production and the sales of brightly painted hand made art works expanded.

Thus in the XIX century items with khokhloma painting were famous not only in Russia but in Persia, India, Middle East, the USA and Australia as well. The export of khokhloma items grew after the worldwide exhibition in 1889 in Paris.

Khokhloma russian painting amazes you with its delicate grass pattern and festive coloring, which is based on combination of scarlet cinnabar and flittering gold against the black lacquer background. This is Khokhloma specific feature. Masters used tin powder and lacquer to obtain such gold color. Now they use aluminum powder.

First, the art tableware are shaped on a lathe from the dried lime wood, which are turned into bowls, vases, mugs, dishes and spoons.

They are dried and covered with red and brown primer, so that they start looking like earthen. The unpainted articles are now coated with drying oil. Next they are polished with powdered aluminium. They become dull shining, like silver, and go to the painting division. Painted articles are then varnished and hardened in ovens at the temperature of 120-130 degrees. The heat turns the varnish yellow, the "silver" into "gold" and mellows the vivid design with an even, golden tone.

Apart from Khokhloma wood presents of tableware most visitors to Russia will have at least one set of Matrioshka dolls in their luggage. These dolls within dolls have long been a source of fascination. The undoing of the main doll to reveal others almost ad-in-finitem has always produced wonderment and appreciation for the woodcrafts art.

Examples of beautiful Khokhloma wood art gifts, Paleh and Mstera lacquered miniatures you can look at art store online site. It is amazing that what started out as a true folk tradition over 300 years ago is still thriving and remains basically true to it's roots, albeit on a more organized scale.

Author Resource:-> Will Nilson, Art News Department of Art shop online, 2007. Online art gift shop suggest wood gift ideas for home and office decorations! Here you can view unique art collections of painted wooden cookware and buy any liked wood art presents.
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